Tag Archives: Joanne Woodward

Cannes 2015 – “You never look as ugly as you do in a selfie”

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The lineup for the Cannes Film Festival 2015 was announced today in Paris. The festival begins on May 13 with a jury chaired by Joel and Ethan Coen.

Reportage of the announcement has been varied, but the most unique news item concerns selfies. The Telegraph leads its article with the festival’s ban of red-carpet selfies, quoting festival director Thierry Frémaux: “We think it’s ridiculous and grotesque and really slows things down,” he officially declared, adding, “you never look as ugly as you do in a selfie.”

As always there is a wide ranging mix of international films and stars on display. Some outlets celebrate actors, others auteurs.  People zeroes in on the stars in attendance, under the banner “Charlize Theron, Emma Stone, Natalie Portman Headline Star-Studded Festival Slate.” The article goes on to mention Joaquin Phoenix, Matthew McConaughey, Rooney Mara, Michael Fassbender, Marion Cotillard, Jesse Eisenberg, Emily Blunt, Josh Brolin, Benicio Del Toro, Salma Hayek,  Rachel Weisz and others. The Huffington Post, on the other hand, concentrates on “cinema heavyweights including China’s Jia Zhangke, Italy’s Paolo Sorrentino and the United States’ Gus Van Sant.”

No surprise to see the parochial nature of some of the journalism; national interests drive regional reporting. The Guardian sulks, bemoaning the almost total absence of British directors: “Asif Kapadia’s documentary Amy, about Amy Winehouse, has been selected for a midnight screening, but there are no British directors elsewhere.”

Down Under, news.com.au cheers on Cate Blanchett and Naomi Watts. Strangely, the Aussie site also promotes the out of competition screening of George Miller’s Mad Max: Fury Road” with a photo of Mel Gibson, who originated the role, instead of a photo of Tom Hardy, who stars in this reboot.

Variety notes that “Asia will enjoy its strongest competition presence in some time with Our Little Sister,” a Japanese comicstrip adaptation from Hirokazu Kore-eda; “Mountains May Depart,” a three-part drama from mainland Chinese auteur Jia Zhangke; and “The Assassin,” a long-gestating martial-arts epic from Taiwan’s Hou Hsiao-hsien. Cannes 2015 also looks to be a robust edition for Italian filmmakers, with Palme bridesmaids Matteo Garrone (“The Tale of Tales,” a lavish, effects-driven fantasy starring Salma Hayek, Vincent Cassel and John C. Reilly) and Sorrentino (“Youth,” toplining Michael Caine and featuring Weisz, Jane Fonda, Paul Dano and Harvey Keitel) duking it out with Palme laureate Nanni Moretti, back with his semi-autobiographical drama “My Mother.”

The official festival poster features Ingrid Bergman this year. Some journalists, such as Brad Brevet at Rope of Silicon, are underwhelmed by this design, preferring the style of  posters from the past few years. 2014 presented Marcello Mastroianni, 2013 had a great photo of Paul Newman and Joanne Woodward, 2012 delivered a striking shot of Marilyn Monroe, and 2011 showed a sophisticated Faye Dunaway. Each one combines text and image in a powerful graphic interplay. Each one epitomizes cinematic glamour; no selfies here. Check them out below: 2014-cannes-film-festival-poster2013-cannes-film-festival-poster cannes-poster-2012-marilyn-monroe_02282012_234555 cannesposterlargecannes_2015